導演漢·亨（Han Jun-Hee）通過“ DP”和“弱者”等熱門歌曲來建立自己的標誌性風格。

漢脫穎而出，將重型主題與幽默混合在一起，帶來情緒影響而不沉重

Director Han Jun-hee is slowly but surely carving out a distinctive creative signature in Korean content with his unique approach to genre storytelling.

導演漢·朱尼（Han Jun-Hee）正在緩慢但肯定地通過他獨特的流派講故事的方法來劃出韓國內容的獨特創意簽名。

From the gritty military drama "D.P." to the high school action series "Weak Hero Class," Han's works have managed to resonate with both domestic and international audiences for their complex narratives and sharp social commentary.

從堅韌不拔的軍事戲劇“ DP”到高中動作系列“弱英雄階級”，漢的作品已經設法引起了國內和國際觀眾的共鳴，以表彰他們的複雜敘述和敏銳的社會評論。

Rather than relying solely on action, Han's storytelling integrates layered plotlines, blending suspense, drama and satire to highlight institutional violence and systemic injustice, often set within confined social spaces such as schools or military bases.

漢的講故事不僅僅依靠行動，而是整合了分層情節線，融合了懸念，戲劇和諷刺，以突出機構的暴力和系統性的不公正現象，通常設置在諸如學校或軍事基地之類的密閉社會空間內。

These themes have struck a chord with modern viewers who are increasingly drawn to stories that ask deeper questions about power and accountability.

這些主題引起了現代觀眾的共鳴，他們越來越吸引有關有關權力和問責制的更深入問題的故事。

Having made his feature debut with "Coin Locker Girl" and later directed titles such as "Hit-and-Run Squad," Han is now also active as a creative producer. In addition to his role as director, he has served as a creator on "Weak Hero" series and the recent drama "Tastefully Yours." His works consistently carry weighty themes and a satirical edge.

Han與“ Coin Locker Girl”的專題首次亮相，後來導演了諸如“命中率”陣容之類的冠軍，Han現在也很活躍。除了擔任導演的角色外，他還擔任過《弱者》系列和最近的戲劇《你的戲劇》的創作者。他的作品始終帶有沉重的主題和諷刺的邊緣。

As a creator, Han's responsibilities extend far beyond scriptwriting. He oversees narrative direction, staffing and casting, and even supervises post-production.

作為創造者，漢的責任遠遠超出了腳本範圍。他監督敘事指導，人員配備和鑄造，甚至監督後期製作。

In a recent interview about "Weak Hero Class 2," Han said that the creator role is still evolving in the Korean industry. "The position is still being defined," he said, adding that it shares many duties with an overall project planner.

漢在最近關於“弱英雄2級”的採訪中說，創作者角色仍在朝鮮產業中發展。他說：“該職位仍在定義。”他補充說，它與整個項目計劃者有許多職責。

Korean society's structural flaws

韓國社會的結構缺陷

Han has long depicted the structural flaws of Korean society, drawing attention to injustices that often go unnoticed. His acclaimed Netflix series "D.P." gained praise not only in South Korea but also in countries without compulsory military service.

韓長期以來一直描述了韓國社會的結構性缺陷，引起人們對常常沒有註意到的不公正現象的關注。他廣受讚譽的Netflix系列“ DP”不僅在韓國，而且在沒有強制性兵役的國家中獲得了讚譽。

Its emotional impact lay in portraying characters’ individual journeys toward healing and justice, allowing audiences to empathize across cultural divides.

它的情感影響在於描繪了角色的康復和正義的個人之旅，使觀眾能夠在文化鴻溝中同情。

What sets Han apart is his ability to blend powerful messages with entertainment. His direction often includes unexpected humor even in the heaviest of contexts, creating emotional depth without overwhelming the viewer.

漢的與眾不同的是他能夠將強大的信息與娛樂融為一體。他的方向也經常包括意外的幽默，即使在最重的環境中，也會在不壓倒觀眾的情況下創造情感深度。

Speaking at a press conference for "D.P." Season 2, he said, "I hope viewers who watch this story will ask themselves, 'What can I do?'"

他在第2季的新聞發布會上說：“我希望觀看這個故事的觀眾會問自己：'我該怎麼辦？'”

Such questions align directly with his artistic intent. Regarding the global appeal of his narratives, Han said, "The story of the weak struggling against the strong is universally compelling."

這樣的問題直接與他的藝術意圖保持一致。關於他的敘事的全球吸引力，韓說：“反對強者掙扎的薄弱的故事是普遍令人信服的。”

His works clearly delineate between victims and perpetrators, encouraging audiences to root for the underdog.

他的作品顯然在受害者和肇事者之間描述，鼓勵聽眾為失敗者紮根。

Critics have dubbed his body of work the emergence of a "Han Jun-hee genre." The "Weak Hero" series in particular has been praised for redefining the school action genre.

批評家將他的工作稱為“漢河流派”的出現。特別是為了重新定義學校​​行動類型而受到讚揚的“弱者”系列。

In response, Han said, "I’m grateful and also a bit embarrassed. Films about school life have always existed — every 10 years or so, a new one reflects the times. I believe ‘Weak Hero’ did that for our era."

作為回應，韓說：“我很感激，也有些尷尬。關於學校生活的電影總是存在 - 每10年左右，一個新的電影反映了時代。我相信“弱者''是在我們的時代做到的。 ”

He added, "I’m thankful for the praise about opening up a new genre. School dramas are classic, but Season 1 wasn’t easy. We had a rookie director, rookie actors and it was a school story with lots of fighting — many thought it was too niche. But the series received love, and more good school dramas followed. It’s important to have shows that reflect the issues students face in their time."

他補充說：“我感謝對開放新類型的讚揚。學校的戲劇很經典，但第1季並不容易。我們有一位新秀導演，新秀演員，這是一個有很多鬥爭的學校故事 - 許多人認為這是個好基礎的。但是，該系列太喜歡了，但是收到了愛情，而且更加好的學校戲劇。隨之而來的是，很重要的是，很重要的是，這表明學生面對了他們的時間。”

Han also reflected on his artistic vision: "I’m drawn to stories that feel just a little strange — different from the norm. Whether it’s about the military, school, or family, I want to explore systems. As a creator, nothing feels better than seeing fellow artists bring their ideas to life."

韓還反映了他的藝術願景：“我被那些感覺有些奇怪的故事所吸引 - 與常態不同。無論是關於軍事，學校還是家庭，我都想探索系統。作為創造者，沒有什麼比看到其他藝術家將他們的想法帶入生活更好的感覺。”