导演汉·亨（Han Jun-Hee）通过“ DP”和“弱者”等热门歌曲来建立自己的标志性风格。

汉脱颖而出，将重型主题与幽默混合在一起，带来情绪影响而不沉重

Director Han Jun-hee is slowly but surely carving out a distinctive creative signature in Korean content with his unique approach to genre storytelling.

导演汉·朱尼（Han Jun-Hee）正在缓慢但肯定地通过他独特的流派讲故事的方法来划出韩国内容的独特创意签名。

From the gritty military drama "D.P." to the high school action series "Weak Hero Class," Han's works have managed to resonate with both domestic and international audiences for their complex narratives and sharp social commentary.

从坚韧不拔的军事戏剧“ DP”到高中动作系列“弱英雄阶级”，汉的作品已经设法引起了国内和国际观众的共鸣，以表彰他们的复杂叙述和敏锐的社会评论。

Rather than relying solely on action, Han's storytelling integrates layered plotlines, blending suspense, drama and satire to highlight institutional violence and systemic injustice, often set within confined social spaces such as schools or military bases.

汉的讲故事不仅仅依靠行动，而是整合了分层情节线，融合了悬念，戏剧和讽刺，以突出机构的暴力和系统性的不公正现象，通常设置在诸如学校或军事基地之类的密闭社会空间内。

These themes have struck a chord with modern viewers who are increasingly drawn to stories that ask deeper questions about power and accountability.

这些主题引起了现代观众的共鸣，他们越来越吸引有关有关权力和问责制的更深入问题的故事。

Having made his feature debut with "Coin Locker Girl" and later directed titles such as "Hit-and-Run Squad," Han is now also active as a creative producer. In addition to his role as director, he has served as a creator on "Weak Hero" series and the recent drama "Tastefully Yours." His works consistently carry weighty themes and a satirical edge.

Han与“ Coin Locker Girl”的专题首次亮相，后来导演了诸如“命中率”阵容之类的冠军，Han现在也很活跃。除了担任导演的角色外，他还担任过《弱者》系列和最近的戏剧《你的戏剧》的创作者。他的作品始终带有沉重的主题和讽刺的边缘。

As a creator, Han's responsibilities extend far beyond scriptwriting. He oversees narrative direction, staffing and casting, and even supervises post-production.

作为创造者，汉的责任远远超出了脚本范围。他监督叙事指导，人员配备和铸造，甚至监督后期制作。

In a recent interview about "Weak Hero Class 2," Han said that the creator role is still evolving in the Korean industry. "The position is still being defined," he said, adding that it shares many duties with an overall project planner.

汉在最近关于“弱英雄2级”的采访中说，创作者角色仍在朝鲜产业中发展。他说：“该职位仍在定义。”他补充说，它与整个项目计划者有许多职责。

Korean society's structural flaws

韩国社会的结构缺陷

Han has long depicted the structural flaws of Korean society, drawing attention to injustices that often go unnoticed. His acclaimed Netflix series "D.P." gained praise not only in South Korea but also in countries without compulsory military service.

韩长期以来一直描述了韩国社会的结构性缺陷，引起人们对常常没有注意到的不公正现象的关注。他广受赞誉的Netflix系列“ DP”不仅在韩国，而且在没有强制性兵役的国家中获得了赞誉。

Its emotional impact lay in portraying characters’ individual journeys toward healing and justice, allowing audiences to empathize across cultural divides.

它的情感影响在于描绘了角色的康复和正义的个人之旅，使观众能够在文化鸿沟中同情。

What sets Han apart is his ability to blend powerful messages with entertainment. His direction often includes unexpected humor even in the heaviest of contexts, creating emotional depth without overwhelming the viewer.

汉的与众不同的是他能够将强大的信息与娱乐融为一体。他的方向也经常包括意外的幽默，即使在最重的环境中，也会在不压倒观众的情况下创造情感深度。

Speaking at a press conference for "D.P." Season 2, he said, "I hope viewers who watch this story will ask themselves, 'What can I do?'"

他在第2季的新闻发布会上说：“我希望观看这个故事的观众会问自己：'我该怎么办？'”

Such questions align directly with his artistic intent. Regarding the global appeal of his narratives, Han said, "The story of the weak struggling against the strong is universally compelling."

这样的问题直接与他的艺术意图保持一致。关于他的叙事的全球吸引力，韩说：“反对强者挣扎的薄弱的故事是普遍令人信服的。”

His works clearly delineate between victims and perpetrators, encouraging audiences to root for the underdog.

他的作品显然在受害者和肇事者之间描述，鼓励听众为失败者扎根。

Critics have dubbed his body of work the emergence of a "Han Jun-hee genre." The "Weak Hero" series in particular has been praised for redefining the school action genre.

批评家将他的工作称为“汉河流派”的出现。特别是为了重新定义学校​​行动类型而受到赞扬的“弱者”系列。

In response, Han said, "I’m grateful and also a bit embarrassed. Films about school life have always existed — every 10 years or so, a new one reflects the times. I believe ‘Weak Hero’ did that for our era."

作为回应，韩说：“我很感激，也有些尴尬。关于学校生活的电影总是存在 - 每10年左右，一个新的电影反映了时代。我相信“弱者''是在我们的时代做到的。”

He added, "I’m thankful for the praise about opening up a new genre. School dramas are classic, but Season 1 wasn’t easy. We had a rookie director, rookie actors and it was a school story with lots of fighting — many thought it was too niche. But the series received love, and more good school dramas followed. It’s important to have shows that reflect the issues students face in their time."

他补充说：“我感谢对开放新类型的赞扬。学校的戏剧很经典，但第1季并不容易。我们有一位新秀导演，新秀演员，这是一个有很多斗争的学校故事 - 许多人认为这是个好基础的。但是，该系列太喜欢了，但是收到了爱情，而且更加好的学校戏剧。随之而来的是，很重要的是，很重要的是，这表明学生面对了他们的时间。”

Han also reflected on his artistic vision: "I’m drawn to stories that feel just a little strange — different from the norm. Whether it’s about the military, school, or family, I want to explore systems. As a creator, nothing feels better than seeing fellow artists bring their ideas to life."

韩还反映了他的艺术愿景：“我被那些感觉有些奇怪的故事所吸引 - 与常态不同。无论是关于军事，学校还是家庭，我都想探索系统。作为创造者，没有什么比看到其他艺术家将他们的想法带入生活更好的感觉。”