即使在阿卡迪亞，也可以釋放象徵性的象徵性；他們在RCA上的第一個主要標籤發行。注定是2025年最大的版本之一

從OFF那裡，即使在Arcadia也感覺很大。感覺就像是一個巨大的事件，我們正在獲得這張新專輯。有三首歌曲作為鉛曲目發行，可以發現負載。

In the vast and ever-changing landscape of music, few bands have captured the attention and imagination of listeners quite like Sleep Token. Hailing from the United Kingdom, the collective has steadily built a devoted following with their unique blend of metal, electronic, and orchestral elements. After a series of successful EPs and albums, anticipation reached fever pitch for their first major label release, "Even In Arcadia," set to drop on May 9th via RCA Records.

在音樂的廣闊而不斷變化的景觀中，很少有樂隊吸引了聽眾的關注和想像，就像睡眠代幣一樣。該集體從英國狂歡，穩定地建立了一個專門的金屬，電子和管弦樂元素的融合。經過一系列成功的EPS和專輯後，預期為他們的第一個主要標籤發行版《即使在Arcadia》中發燒，將於5月9日通過RCA Records下降。

Having previously worked with independent label, "鵺 Records" for their 2020 debut album, "Monocycle," and 2022's "An Introduction To The Flood," Sleep Token decided to venture into new territory with their fourth studio album. "We felt like we'd reached the pinnacle of what we could do in that environment," explains Vessel, the band's vocalist. "We'd pushed the boundaries as far as we could go."

此前曾與獨立標籤（“鵺唱片”合作為2020年的首張專輯“單核細胞”，以及2022年的“洪水介紹”，Sleep Token決定使用他們的第四張錄音室專輯冒險進入新領土。樂隊的歌手《船隻》解釋說：“我們覺得我們已經達到了在這種環境下能做的巔峰之作。” “我們盡可能地突破了界限。”

The decision to join forces with RCA was a natural progression for a band who had already achieved significant milestones. Their 2023 single, "The Offering," reached new highs on the U.S. Hot Hard Rock Songs chart, and their music video for "Highway Patrol" garnered over 10 million views on YouTube.

與已經取得了重要里程碑的樂隊在一起，與RCA聯手的決定是自然的進步。他們的2023年單曲“ The Offering”在美國Hot Hard Rock歌曲榜上達到了新的高點，他們的“ Highway Patrol”音樂視頻在YouTube上獲得了超過1000萬次觀看次數。

"It felt like a good time to see what else was out there and to try something new," adds Vessel. "We're always looking for ways to grow and evolve, and we're excited to see what this next chapter holds."

船隻補充說：“這是一個好時機，看看那裡還有什麼並嘗試新事物。” “我們一直在尋找成長和發展的方法，我們很高興看到下一章的結局。”

As the band members gathered in a secluded studio in the English countryside to record "Even In Arcadia," they were focused on creating an album that would be both sonically rich and thematically cohesive. The goal was to build upon the sonic textures and atmospheric layers that had defined their previous work, while also exploring new musical avenues.

當樂隊成員聚集在英國鄉村的一個僻靜的工作室中，以錄製“即使在阿卡迪亞”，他們專注於創建一張專輯，這既有聲音豐富又有主題的凝聚力。目的是建立在定義了以前作品的聲音紋理和大氣層的基礎上，同時還探索了新的音樂途徑。

"We wanted to create an album that would feel like a complete and satisfying journey for the listener," says the band member, visibly engrossed in a discussion about a new synth patch. "We didn't want to hold anything back, and we weren't afraid to experiment."

樂隊成員說：“我們想創建一張專輯，這對聽眾來說就像是一個完整而令人滿意的旅程。” “我們不想阻止任何東西，也不害怕試驗。”

The result is a sprawling and ambitious double album that showcases the band at their most creative and dynamic. From the haunting melodies of "Look To Windward" to the brooding intensity of "Past Self" and the synth-driven banger "Dangerous," "Even In Arcadia" is an album that demands to be heard from beginning to end.

結果是一張龐大而雄心勃勃的雙專輯，展示了樂隊最具創造力和最具活力的樂隊。從“到風”的令人困擾的旋律到“過去的自我”的沉思強度和合成器驅動的banger“危險”，“即使在阿卡迪亞”都是一張專輯，是一張專輯，要求從頭到尾聽到。

In the opening track, "Look To Windward," a gentle synth pattern slowly builds as Vessel's distinctive vocals introduce a pensive tone. The synths, which appear to be sampled from classic 1980s synth-pop bands, are used to great effect, creating a shimmering and ethereal soundscape. As the song progresses, a brooding guitar riff slowly emerges, adding a layer of menace to the mix.

在開場的曲目“向風向”中，隨著船隻的獨特人聲引入沉思的音調，溫和的合成模式逐漸逐漸形成。似乎是從經典的1980年代合成頻段進行採樣的合成器，用於效果極佳，形成閃爍的聲音景觀。隨著歌曲的發展，沉思的吉他即興演奏慢慢出現，為混合帶來了一層威脅。

The song is also notable for its use of vivid imagery and introspective lyrics. In the first verse, Vessel sings, "I've got eyelids heavy enough to break diamonds / I'm not sure I can manage to open my eyes today." The lyrics are full of self-reflection and a sense of weariness, setting the stage for the album's exploration of past regrets, lost connections, and the search for meaning in a chaotic world.

這首歌也因其使用生動的圖像和內省的歌詞而引人注目。在第一節經文中，船隻唱著：“我的眼瞼很重，可以打破鑽石 /我不確定我今天能睜開眼睛。”歌詞充滿了自我反省和疲倦感，為專輯探索過去的遺憾，失去的聯繫以及在混亂的世界中尋找意義的舞台。

The song builds slowly but surely, with each instrument and vocal harmony weaving together seamlessly. By the time the song reaches its climax, it is a monolithic wall of sound that threatens to consume the listener. Yet, even as the instrumentation reaches a fever pitch, there is a sense of restraint and control in the mixing, ensuring that each element remains audible and contributes to the overall sonic tapestry.

這首歌逐漸而肯定地構建，每種樂器和聲音和諧無縫編織在一起。到這首歌達到高潮時，這是一堵而成的聲音牆，威脅要消耗聽眾。然而，即使儀器達到發燒的音高，混合中也有一種約束和控制感，以確保每個元素保持可聽覺，並有助於整體聲音掛毯。

After the sprawling grandeur of "Look To Windward," the mood shifts slightly with "Emergence." The song has a more playful and experimental feel, with a jazzy swagger that is evident in the instrumental breaks and the shifting time signatures.

在龐大的“向風向”的宏偉宏偉之後，情緒隨著“出現”的變化略有變化。這首歌具有更有趣，更具實驗性的感覺，爵士樂的招搖在樂器的休息時間和不斷變化的時間簽名中很明顯。

The song also features some interesting production techniques, such as the use of a flanger on the guitars and the layering of different synth textures to create a sense of depth and movement.

這首歌還採用了一些有趣的生產技術，例如在吉他上使用鞭打器和不同合成器紋理的分層以創造一種深度和運動感。

The lyrics of "Emergence" continue the themes of past mistakes and the search for redemption that were introduced in "Look To Windward." In the song's opening lines, the narrator reflects on a past self who was "always making the wrong choices."

“出現”的歌詞繼續了過去錯誤的主題，以及在“向風向”中介紹的救贖的搜索。在歌曲的開場白中，敘述者反思了過去的自我，他“總是做出錯誤的選擇”。

The song's final verse sees the narrator come to terms with the fact that he cannot change the past, but he can choose how to live in the present.

這首歌的最後一節經文認為敘述者無法改變過去的事實，但他可以選擇如何生活。

The song fades out slowly, leaving the listener with a sense of reflection and hope.

這首歌緩慢地消失了，使聽眾充滿了反思和希望。

"Past Self" opens with a hip-hop infused beat cantering along as the vocals take center stage. There is a prophetic outlook on coming to terms with the past and where the future goes in question.

“過去的自我”以嘻哈音樂的跳動開頭，隨著人聲的中心舞台。有一種預言的觀點，即與過去以及未來有關的地方有一種預言。

Dangerous keeps the

危險保留