睡眠代幣的“即使在阿卡迪亞”都會困擾您的夢想

從字面上看，英國進步的金屬靈魂流行搖滾樂的睡眠代幣被神秘地掩蓋。成員被別名掩蓋和識別：船隻（真名獅子座

The UK’s progressive metallic soul-pop rock act Sleep Token are cloaked in mystery, literally. The members are masked and identified by alias: Vessel (real name Leo George Faulkner, lead vocalist/multi-instrumentalist/producer), II (real name Adam Pedder, percussion), III (real name Dave Ball, bass [touring]) and IV (real name Rhys Griffiths, guitar [touring]). There are also a touring backing vocalist trio known as Espera, comprising Mathilda Riley, Lynsey Ward, and Paige Lucip. However, besides Vessel and II, the remaining integral artistic contributors are designated for the stage, not the studio. Essentially, the hearts of Sleep Token’s musical creativity remain, to a degree, charismatically confidential.

從字面上看，英國進步的金屬靈魂流行搖滾樂的睡眠代幣被神秘地掩蓋。成員被別名掩蓋和識別：船隻（真實姓名Leo George Faulkner，首席歌手/多樂器/製作人/製作人），II（真實姓名Adam Pedder，percussion），III（真實姓名Dave Ball，Bass，Bass，Touring]）和IV（真實姓名Rhys Griffiths，Guiths，Guitar [Touring]）。還有一個巡迴演出的歌手三人組，稱為Espera，包括Mathilda Riley，Lynsey Ward和Paige Lucip。但是，除了船隻和II之外，其餘的整體藝術貢獻者被指定為舞台，而不是工作室。從本質上講，在某種程度上，魅力在某種程度上保密，睡眠代幣的音樂創造力仍然是魅力。

The enigmatic ensemble project a cult-like archetype, and to their credit, it has been a major success both critically and commercially for their three studio albums: The Sundowning (2019), This Place Will Become Your Tomb (2021) and Take Me Back To Eden (2023). The complicated characteristic regarding a “cult”, though, is that it can generate pathways that are more aligned with dreams than reality. This is where the Academy-winning film Inception plays its role in this review; the spectators of Even In Arcadia, the band's fourth captivating ceremony in LP format, may want to take upon Arthur's (Joseph Gordon-Levitt) quoted advice and carry with them a totem when undergoing this new ritual. The reason is that the adventure they are about to embark on could induce a delightful dream-state that might become inescapable. In all sincerity, these ten tracks possess that tremendous trance-inducing capacity which has the potential to be dangerous.

這個神秘的合奏項目是一種像邪教般的原型，值得稱讚的是，這在他們的三張錄音室專輯《 The Sundowning》（2019年）上取得了重大成功，這個地方將成為您的墳墓（2021），並帶我回到伊甸園（2023）（2023）。然而，關於“邪教”的複雜特徵是，它可以產生與夢想比現實更吻合的途徑。這是贏得學院的電影《成立》在這篇評論中發揮作用的地方。樂隊以LP格式的第四次迷人儀式在阿卡迪亞的觀眾可能想接受Arthur's（Joseph Gordon-Levitt）引用建議，並在進行這種新儀式時隨身攜帶圖騰。原因是他們要進行的冒險可能會引起一個令人愉快的夢境，這可能是不可避免的。從所有誠意的角度來看，這十個軌道具有巨大的觸發能力，具有危險的潛力。

Opener ‘Look To Windward’ is immaculately suitable for the Inception film soundtrack; a HORSE The Band inspired synth-pop introduction that gently ushers the witnesses into the dream-state when Vessel begins his angelically crooned message: “Just as I drift away, will you haunt this eclipse in me? Will you haunt this eclipse in me? Will you haunt this eclipse in me?” It conjures images of the scenes from Inception where Leonardo DiCaprio's character Dom Cobb (who is brilliantly portrayed throughout) visualises and interacts with his deceased wife Mal, terrifically embodied by Marion Cotillard. Hold on, this is just the beginning…

開瓶器“向風”非常適合成立電影原聲帶；一匹樂隊啟發了合成器流行介紹，當船隻開始他的天使cro聞的信息時，將目擊者輕輕地將目擊者帶入了夢境中：“就在我走開時，你會困擾著我的這種蝕嗎？你會困擾著我這個蝕嗎？它想起了從企業開始的場景的圖像，萊昂納多·迪卡普里奧（Leonardo DiCaprio）的角色唐·科布（Dom Cobb）（在整個過程中都被刻畫）可視化並與他已故的妻子馬爾（Mal）互動，他的瑪麗安·科蒂拉德（Marion Cotillard）非常體現。堅持，這只是開始…

A string section creeps in, which could be utilised in the passages of the film where the characters are induced to sleep. At the midway point of the track, Vessel levitates his voice into a soul-shaking scream. Cue any action, high tension or violent part to the sci-fi blockbuster – it is flawlessly befitting with its devastating djent-core musicianship.

一個弦樂部分爬進去，可以在誘使角色入睡的電影段落中使用。在賽道的中間，船隻將他的聲音懸浮在震驚的尖叫聲中。在科幻大片中提示任何動作，高張力或暴力部分 - 它與其毀滅性的djent核心音樂合作無瑕。

A drastic sound alteration interlude follows that subscribes to a R&B pop variety which would work flawlessly in the credits; the song evolves with many layers that may perhaps be appropriate for Ariadne (Elliot Page) 's experimentations with the architecture of the dreamscapes. Then the piano ballad section joins the idea of the love between Dom and Mal, as well as his family, exquisitely. The drifts between heavy and harmony capture their relationship magnificently also.

劇烈的聲音變化插入了R＆B流行音樂的訂閱，該流行音樂在信用中會完美無缺。這首歌以許多層次演變而來，可能適合Ariadne（Elliot Page）對Dreamscapes架構進行的實驗。然後，鋼琴民謠部分加入了Dom和Mal以及他的家人之間的愛的想法。繁重和和諧之間的漂移也很大程度上捕捉了他們的關係。

“Will you haunt this eclipse in me?” is whispered numerous times again until an earth-shattering breakdown is administered that could very well represent the tense collapsing of the dream's multi-levels. Confused? That’s understandable, the movie is bafflingly brilliant, and all of this encapsulates the first song of this journey fantastically.

“你會困擾著我這個日食嗎？”再次被竊竊私語，直到管理著令人震驚的崩潰，這很可能代表了夢想多層次的緊張崩潰。使困惑？這是可以理解的，這部電影令人困惑，所有這些都封裝在這次旅程的第一首歌中。

‘Emergence’ trickles in with a near Lewis Capaldi motivation, chamber pop elements charm the listener into a delectable daze, and the message, “go ahead and wrap your arms around me”, encourages an immeasurable loving sentiment. The track elevates into a perplexing hip hop segment that incites a need to shimmy and dance, but when the distorted guitars strike through, the dancing becomes comprehensively headbanging. The theatrical pop-rock acts as a calm before the storm, then that thunder and lightning roars rapidly, only to be alleviated by a lust-driven saxophone conclusion excellently executed by Gabi Rose.

“出現”帶著近乎劉易斯·卡帕爾迪（Lewis Capaldi）的動機，室內流行元素誘使聽眾陷入了令人愉悅的發呆，並鼓勵“繼續前進，將手臂纏繞在我周圍”，鼓勵了一種無可估量的愛心情感。該軌道升級為令人困惑的嘻哈細分市場，刺激了需要發抖和跳舞的需要，但是當扭曲的吉他爆發時，舞蹈就會全面挑起。戲劇搖滾樂在暴風雨前的平靜起來，然後迅速咆哮，只能通過加比·羅斯（Gabi Rose）出色地執行的慾望驅動的薩克斯管的結論來緩解。

‘Past-Self’ has a slight Sam Smith guidance inspired by his dance-soul-pop realm, which then revisits the hip hop enlightenment. Surprisingly, the composition is devoid of any escalation to a metallic section. ‘Dangerous’ is a grand theatrical modernised rock opera that fuses latter-day Dayseeker, early Röyksopp and subtleties of Tool's alt-metal musicianship.

“過去”的山姆·史密斯（Sam Smith）的指導源於他的舞蹈靈活領域的啟發，然後重新審視了嘻哈啟蒙運動。令人驚訝的是，該組合物沒有任何升級到金屬部分。 “危險”是一部盛大的戲劇現代化搖滾歌劇，它融合了後期的Dayeeker，早期的Röyksopp和Tool Alt-Metal Musicisss的“早期Röyksopp”和“微妙之處”。

Single ‘Caramel’ is a bewildering eccentricity of beauty. Commencing with that R&B pop motif Sleep Token are adored for, the composition practically fits into the “wedding song” category. Lyrically, in a discreet finesse, Vessel remarkably reconfigures the message of the track around three-quarters of the way through: “I’ll take what I’m given, the deepest incisions. I thought I got better,

單一的“焦糖”是一種令人困惑的美感。從R＆B Pop Motif Sleep Token開始崇拜，該作品實際上適合“婚禮歌曲”類別。從抒情的角度來看，在謹慎的技巧中，船隻明顯地重新配置了曲目的信息，圍繞著四分之三的途徑：“我會接受我給予的最深的切口。我以為我認為我變得更好，