肯德里克·拉馬爾（Kendrick Lamar）和SZA的大國家巡迴演唱會是電影傑作

這一切始於2014年，當時SZA的Z EP“ Babylon”。從那以後，我們從他的無題Unterpersed中獲得了“無題04 | 08.14.14.14.14.14.14.14.14”的祝福。

Kendrick Lamar and SZA just make sense. It all started in 2014 with "Babylon" off SZA's Z EP. Since then, we've been blessed with "untitled 04 | 08.14.2014" from his untitled unmastered., "Doves In The Wind" from her CTRL, "All The Stars" from the Black Panther soundtrack, "30 For 30" from SOS Deluxe: LANA, and of course, gnx's "gnx" and chart-dominating "luther."

肯德里克·拉馬爾（Kendrick Lamar）和SZA很有意義。這一切始於2014年，當時SZA的Z EP“ Babylon”。從那以後，我們從他的無標題的未命名的未命名的未命名的“ 2014年4月4日”。

Aptly, their musical and poetic relationship was commemorated with their Grand National Tour. Complete with an opening DJ set by Mustard, fans piled into the SoFi Stadium in Los Angeles for the second of a three-night stint to honor his hometown hero and his ethereal work wife.

恰當地，他們的音樂和詩意關係以他們的盛大國家巡迴演出來紀念。配有芥末設置的開幕DJ，粉絲們堆積在洛杉磯的Sofi體育場，為三晚的第二夜，以紀念他的家鄉英雄和他的空靈工作妻子。

The entire show played out like a movie. The on-screen opening credits showed Kendrick and SZA under an abandoned overpass, as a script typography style commonly associated with Mexican culture wrote out certain phrases and symbols while drawing out the Grand National. It was a true work of art. It was theatrical.

整個節目都像電影一樣播放。屏幕上的開場榮譽表明，肯德里克（Kendrick）和薩斯（Sza）在一個廢棄的立交橋下，因為劇本的版式形式風格通常與墨西哥文化相關，同時繪製了大國民時寫出了某些短語和符號。這是一件真正的藝術作品。這是戲劇性的。

K. Dot kicked off the main event with "wacced out murals" in the black Buick Grand National he once dreamed of owning. The interludes featured SZA and himself in an interrogation room.

K. Dot在他曾經夢想擁有的Black Buick Grand National中以“散發出壁畫”的“壁畫”開始了主賽事。這些插曲以SZA和他本人為特色，並在審訊室中。

“Were you being metaphorical or should we take it as a threat?” an off-screen narrator asked Kendrick at one point. He curtly replied, “It’s whatever you wanna take it” before diving into the explosive “squabble up.” His transition from 2015’s “King Kunta” into 2017’s “ELEMENT.” and 2025’s “tv off” was a symbolic trifecta of who the rapper is— a Pulitzer Prize winner who’s arguably the greatest lyricist of the 21st century and by his own definition: “the alpha and omega, b***h.”

“您是隱喻的還是我們應該將其視為威脅？”一位屏幕外敘述者一度問肯德里克。他簡短地回答：“這是你想拿的任何東西”，然後潛入爆炸性的“爭吵”。他從2015年的“ King Kunta”過渡到2017年的“元素”。 2025年的“電視熄滅”是說唱歌手的象徵性三角形 - 普利策獎得主，他可以說是21世紀最偉大的作詞家，並且按照他的定義：“ Alpha和Omega，B ***H。”。

He and SZA combined their sets to give ample time for their respective solo catalogs and join forces when needed. Like when she slid in afterward to perform “30 For 30.” Pulling from dreamy themes from her own musical trinity— CTRL, SOS, and LANA— the singer serenaded the crowd with “What Do I Do,” “The Weekend,” and “Love Galore.”

他和SZA合併了他們的套裝，以提供充足的時間來供各自的獨奏目錄，並在需要時聯手。就像她之後滑入“ 30 for 30”時一樣。歌手從自己的音樂三位一體（Ctrl，Sos和Lana）中脫穎而出，歌手用“我要做什麼”，“週末”和“愛情大獎”為人群小夜曲。

Following the romantic tune, the emcee was cuddled up in the car discussing lies versus the truth, which served as a segue for “euphoria.” The heat that permeated from the literal fiery explosion was felt throughout the stadium, but we were all too busy rapping along to the diss track and “hey now” to notice.

浪漫的曲調之後，主持人在討論謊言與真理的汽車中擁抱，這是“欣快”的秘訣。在整個體育場裡，人們都感到了從字面上的火熱爆炸中滲透而來的熱量，但是我們都忙於奔波到Diss曲目，並“嘿，現在”。

One highlight of the emcee’s set was the interpolation of Anita Baker’s “Angel” serving as the official interlude. This subtle hint of softness was further proof that Kendrick is the masculine equivalent to SZA’s divine feminine. As a Gemini man, many are drawn to his wit, intellect, and intuitive curiosity. With her being a Scorpio woman, people gravitate towards her irresistible mystique, emotional awareness, and passionate tenacity. There’s a permissive balance with these two that works as collaborators and friends.

主持人場景的一個亮點是安妮塔·貝克（Anita Baker）的“天使”（Anger）作為官方插曲的插值。這種微妙的柔軟暗示進一步證明了肯德里克是男性的，相當於Sza的神性女性。作為一個雙子座人，許多人都被他的機智，智力和直覺的好奇心所吸引。由於她是一名天蠍座的女人，人們傾向於她不可抗拒的神秘感，情感意識和熱情的堅韌。這兩個作為合作者和朋友的寬敞平衡。

All in all? They get each other, and in turn, we understand them more.

總而言之？他們彼此相處，反過來，我們更多地了解他們。

Some fans in the crowd went bar-for-bar with his hits including “HUMBLE.,” “Swimming Pools (Drank),” “m.A.A.d city,” “Alright,” “dodger blue,” and “Poetic Justice.” Others felt seen through her classics like “F2F,” “Garden (Say It Like Dat),” “Blind,” “I Hate U,” “Kill Bill,” “Good Days,” and “Snooze” featuring surprise guest Justin Bieber.

人群中的一些粉絲以他的熱門歌曲進行了酒吧，其中包括“謙虛。”，“游泳池（Drank）”，“ Maad City”，“ Alright”，“ Dodger Blue”和“ Poicen Justice”。其他人則通過她的經典作品（例如“ F2F”，“花園（就像Dat”），“盲人”，“我討厭你”，“殺死比爾”，“好日子”和“貪睡”一樣，以驚喜來賓賈斯汀·比伯（Justin Bieber）為特色。

Even while performing records that don’t belong to these two like “LOVE.,” that magnetic pull was still felt. The best example of their platonic soul tie was during their performance of “luther.” It was endearing and mesmerizing, as though you’re witnessing two people who really just want to see the other win. Truthfully, the show could’ve ended right there.

即使執行不屬於“愛”這樣的兩者的唱片，仍然感覺到這種磁拉。他們柏拉圖式靈魂領帶的最好例子是在他們的“路德”表演中。這真是令人愉悅且令人著迷，好像您正在目睹兩個真正想看到另一場胜利的人。說實話，該節目可能就在那裡結束了。

However, there was something so tender about ending with "gloria." It served as a soothing wind-down. He opened the car door for her before entering the driver’s side, and they faded to black. It was a fitting end to the magic we'd witnessed from a gentle beast and nurturing beauty.

但是，以“格洛里亞”結尾有些溫柔。它充當舒緩的風。他在進入駕駛員一邊之前為她打開了車門，然後他們逐漸消失了。這是我們從溫柔的野獸和養育美麗中目睹的魔力的一個合適的目的。

All Kendrick ever wanted was a Black Grand National, but all we ever wanted was this: an audacious reminder that this level of rapport can exist without romantic ties.

肯德里克（Kendrick）曾經想要的只是一個黑人大國民，但我們想要的只是這樣的：大膽的提醒，這種融洽的關係可以在沒有浪漫關係的情況下存在。