肯德里克·拉马尔（Kendrick Lamar）和SZA的大国家巡回演唱会是电影杰作

这一切始于2014年，当时SZA的Z EP“ Babylon”。从那以后，我们从他的无题Unterpersed中获得了“无题04 | 08.14.14.14.14.14.14.14.14”的祝福。

Kendrick Lamar and SZA just make sense. It all started in 2014 with "Babylon" off SZA's Z EP. Since then, we've been blessed with "untitled 04 | 08.14.2014" from his untitled unmastered., "Doves In The Wind" from her CTRL, "All The Stars" from the Black Panther soundtrack, "30 For 30" from SOS Deluxe: LANA, and of course, gnx's "gnx" and chart-dominating "luther."

肯德里克·拉马尔（Kendrick Lamar）和SZA很有意义。这一切始于2014年，当时SZA的Z EP“ Babylon”。从那以后，我们从他的无标题的未命名的未命名的未命名的“ 2014年4月4日”。

Aptly, their musical and poetic relationship was commemorated with their Grand National Tour. Complete with an opening DJ set by Mustard, fans piled into the SoFi Stadium in Los Angeles for the second of a three-night stint to honor his hometown hero and his ethereal work wife.

恰当地，他们的音乐和诗意关系以他们的盛大国家巡回演出来纪念。配有芥末设置的开幕DJ，粉丝们堆积在洛杉矶的Sofi体育场，为三晚的第二夜，以纪念他的家乡英雄和他的空灵工作妻子。

The entire show played out like a movie. The on-screen opening credits showed Kendrick and SZA under an abandoned overpass, as a script typography style commonly associated with Mexican culture wrote out certain phrases and symbols while drawing out the Grand National. It was a true work of art. It was theatrical.

整个节目都像电影一样播放。屏幕上的开场荣誉表明，肯德里克（Kendrick）和萨斯（Sza）在一个废弃的立交桥下，因为剧本的版式形式风格通常与墨西哥文化相关，同时绘制了大国民时写出了某些短语和符号。这是一件真正的艺术作品。这是戏剧性的。

K. Dot kicked off the main event with "wacced out murals" in the black Buick Grand National he once dreamed of owning. The interludes featured SZA and himself in an interrogation room.

K. Dot在他曾经梦想拥有的Black Buick Grand National中以“散发出壁画”的“壁画”开始了主赛事。这些插曲以SZA和他本人为特色，并在审讯室中。

“Were you being metaphorical or should we take it as a threat?” an off-screen narrator asked Kendrick at one point. He curtly replied, “It’s whatever you wanna take it” before diving into the explosive “squabble up.” His transition from 2015’s “King Kunta” into 2017’s “ELEMENT.” and 2025’s “tv off” was a symbolic trifecta of who the rapper is— a Pulitzer Prize winner who’s arguably the greatest lyricist of the 21st century and by his own definition: “the alpha and omega, b***h.”

“您是隐喻的还是我们应该将其视为威胁？”一位屏幕外叙述者一度问肯德里克。他简短地回答：“这是你想拿的任何东西”，然后潜入爆炸性的“争吵”。他从2015年的“ King Kunta”过渡到2017年的“元素”。 2025年的“电视熄灭”是说唱歌手的象征性三角形 - 普利策奖得主，他可以说是21世纪最伟大的作词家，并且按照他的定义：“ Alpha和Omega，B ***H。”。

He and SZA combined their sets to give ample time for their respective solo catalogs and join forces when needed. Like when she slid in afterward to perform “30 For 30.” Pulling from dreamy themes from her own musical trinity— CTRL, SOS, and LANA— the singer serenaded the crowd with “What Do I Do,” “The Weekend,” and “Love Galore.”

他和SZA合并了他们的套装，以提供充足的时间来供各自的独奏目录，并在需要时联手。就像她之后滑入“ 30 for 30”时一样。歌手从自己的音乐三位一体（Ctrl，Sos和Lana）中脱颖而出，歌手用“我要做什么”，“周末”和“爱情大奖”为人群小夜曲。

Following the romantic tune, the emcee was cuddled up in the car discussing lies versus the truth, which served as a segue for “euphoria.” The heat that permeated from the literal fiery explosion was felt throughout the stadium, but we were all too busy rapping along to the diss track and “hey now” to notice.

浪漫的曲调之后，主持人在讨论谎言与真理的汽车中拥抱，这是“欣快”的秘诀。在整个体育场里，人们都感到了从字面上的火热爆炸中渗透而来的热量，但是我们都忙于奔波到Diss曲目，并“嘿，现在”。

One highlight of the emcee’s set was the interpolation of Anita Baker’s “Angel” serving as the official interlude. This subtle hint of softness was further proof that Kendrick is the masculine equivalent to SZA’s divine feminine. As a Gemini man, many are drawn to his wit, intellect, and intuitive curiosity. With her being a Scorpio woman, people gravitate towards her irresistible mystique, emotional awareness, and passionate tenacity. There’s a permissive balance with these two that works as collaborators and friends.

主持人场景的一个亮点是安妮塔·贝克（Anita Baker）的“天使”（Anger）作为官方插曲的插值。这种微妙的柔软暗示进一步证明了肯德里克是男性的，相当于Sza的神性女性。作为一个双子座人，许多人都被他的机智，智力和直觉的好奇心所吸引。由于她是一名天蝎座的女人，人们倾向于她不可抗拒的神秘感，情感意识和热情的坚韧。这两个作为合作者和朋友的宽敞平衡。

All in all? They get each other, and in turn, we understand them more.

总而言之？他们彼此相处，反过来，我们更多地了解他们。

Some fans in the crowd went bar-for-bar with his hits including “HUMBLE.,” “Swimming Pools (Drank),” “m.A.A.d city,” “Alright,” “dodger blue,” and “Poetic Justice.” Others felt seen through her classics like “F2F,” “Garden (Say It Like Dat),” “Blind,” “I Hate U,” “Kill Bill,” “Good Days,” and “Snooze” featuring surprise guest Justin Bieber.

人群中的一些粉丝以他的热门歌曲进行了酒吧，其中包括“谦虚。”，“游泳池（Drank）”，“ Maad City”，“ Alright”，“ Dodger Blue”和“ Poicen Justice”。其他人则通过她的经典作品（例如“ F2F”，“花园（就像Dat”），“盲人”，“我讨厌你”，“杀死比尔”，“好日子”和“贪睡”一样，以惊喜来宾贾斯汀·比伯（Justin Bieber）为特色。

Even while performing records that don’t belong to these two like “LOVE.,” that magnetic pull was still felt. The best example of their platonic soul tie was during their performance of “luther.” It was endearing and mesmerizing, as though you’re witnessing two people who really just want to see the other win. Truthfully, the show could’ve ended right there.

即使执行不属于“爱”这样的两者的唱片，仍然感觉到这种磁拉。他们柏拉图式灵魂领带的最好例子是在他们的“路德”表演中。这真是令人愉悦且令人着迷，好像您正在目睹两个真正想看到另一场胜利的人。说实话，该节目可能就在那里结束了。

However, there was something so tender about ending with "gloria." It served as a soothing wind-down. He opened the car door for her before entering the driver’s side, and they faded to black. It was a fitting end to the magic we'd witnessed from a gentle beast and nurturing beauty.

但是，以“格洛里亚”结尾有些温柔。它充当舒缓的风。他在进入驾驶员一边之前为她打开了车门，然后他们逐渐消失了。这是我们从温柔的野兽和养育美丽中目睹的魔力的一个合适的目的。

All Kendrick ever wanted was a Black Grand National, but all we ever wanted was this: an audacious reminder that this level of rapport can exist without romantic ties.

肯德里克（Kendrick）曾经想要的只是一个黑人大国民，但我们想要的只是这样的：大胆的提醒，这种融洽的关系可以在没有浪漫关系的情况下存在。