大衛·戈耶（David Goyer）正在建立一個新的基於區塊鏈的科幻宇宙，稱為“出現”

電影製片人戴維·戈耶（David Goyer）的榮譽包括《刀片三部曲》，《黑闇騎士》和《蘋果電視台的基礎》系列，他說，他正在建立一個新的基於區塊鏈的科幻宇宙，稱為“出現”。

David Goyer, known for the Blade trilogy, The Dark Knight and Apple TV’s Foundation series, is building a new science-fiction universe called Emergence. It will be powered by blockchain and feature spaceships, relic-hunting and white holes.

大衛·戈耶（David Goyer）以《刀片三部曲》（The Blade Trilogy），《黑闇騎士》（Dark Knight）和蘋果電視台（Apple TV）的基礎系列而聞名，他正在建立一個名為“出現”的新科幻世界。它將由區塊鍊和特色太空飛船，遺物狩獵和白洞提供動力。

The world of Emergence will form the basis for a sprawling transmedia project housed within Incention, Goyer’s new blockchain venture.

出現的世界將構成戈耶（Goyer）新的區塊鏈風險投資中龐大的跨媒體項目的基礎。

At CoinDesk’s Consensus conference in Toronto on Friday, Goyer appeared alongside SY Lee of Story Protocol, the intellectual property-focused blockchain upon which both Incention and Emergence are based.

在周五在多倫多舉行的Coindesk共識會議上，Goyer與故事協議的Sy Lee一起出現，這是一個以知識產權為重點的區塊鏈，這是理性和出現的基礎。

There, Goyer described his vision for Incention, which will see fans collaborate with professional storytellers to expand the Emergence universe.

戈耶（Goyer）在那裡描述了他的訴訟願景，這將使粉絲與專業講故事的人合作擴大了出現宇宙。

“The idea is that we’re going to be involving the community in all of this, and they’ll have an opportunity to create characters who will be joining the podcast, joining the animation, etc.,” he said.

他說：“我們的想法是，我們將參與所有這一切，他們將有機會創建角色，這些角色將加入播客，加入動畫等。”

Goyer expressed his criticism of Hollywood’s approach to IP-building, deeming it “very top down” and slow to adapt.

戈耶（Goyer）對好萊塢的IP構建方法表示了批評，認為它“非常自上而下”並緩慢適應。

“Franchises are built in the film and television industry [on] models that are a century old,” he said. “It’s very hard to innovate. It’s very hard to break into Hollywood if you’re a newcomer.” Web3, he feels, could be the key to change.

他說：“特許經營是在電影和電視行業（在一個世紀歷史的模型上）建立的。” “很難創新。如果您是新來者，很難闖入好萊塢。”他認為，Web3可能是改變的關鍵。

Story Protocol, launched earlier this year, has secured over $80 million in funding from investors like a16z, Hashed and Endeavor. The protocol provides the technology for registering, tracking and monetizing intellectual property on the blockchain.

今年早些時候啟動的故事協議已從A16Z，Hashed和Endeavor等投資者那裡獲得了超過8000萬美元的資金。該協議提供了在區塊鏈上註冊，跟踪和貨幣化知識產權的技術。

“Each intellectual property has its own program, licensing and royalty-sharing rights,” Lee explained at Consensus. “Without any middleman, someone can remix, license, and basically build upon someone else’s IP. According to the rules set by the IP owner … they could share the upside together.”

“每個知識產權都有自己的計劃，許可和特許權使用權，”李在共識中解釋說。 “沒有任何中間商，有人可以在其他人的IP上進行混音，許可，並基本上建立在其他人的IP上。

Goyer shared that he penned a 2,500-page story bible to serve as the foundation for the Emergence universe.

戈耶（Goyer）分享說，他寫了一本長達2500頁的故事聖經，以作為出現宇宙的基礎。

“We hired a bunch of really talented concept artists that had worked on the Harry Potter and Star Wars franchises, and a number of Hugo and Nebula Award-winning science fiction authors to write stories within the universe using the bible that I created.”

“我們僱用了一群真正有才華的概念藝術家，這些藝術家曾在《哈利·波特》和《星球大戰》系列上工作，並使用我創造的聖經在宇宙中寫故事。”

This material was further used to train an AI agent, dubbed “Atlas,” which will assist contributors in co-creating within a pre-defined narrative framework.

該材料進一步用於訓練稱為“ Atlas”的AI代理，該代理將有助於貢獻者在預定義的敘事框架內共同創建。

“This is what I would say is sort of a sanctioned use of AI, where we’re not just scraping information,” said Goyer.

Goyer說：“這就是我要說的是對AI的批准使用，我們不僅僅是在刮擦信息。”

Those who visit the Emergence platform will be able to read about its characters and settings, or contribute their own. Community members will then vote on the stories and visuals they enjoy. An editorial board, chaired by Goyer, will decide which submissions become part of the official canon.

那些訪問出現平台的人將能夠閱讀有關其角色和設置的信息，或者自己的貢獻。然後，社區成員將對他們喜歡的故事和視覺效果進行投票。由戈耶（Goyer）主持的編輯委員會將決定哪些意見成為正式佳能的一部分。

“We’ll let our community up-vote the characters that the community themselves have created,” saidGoyer. “Then the editorial board — which is myself and a few other people — will decide which of these characters best suits the overall franchise.”

“我們將讓我們的社區投下社區本身創造的角色，” Goyer說。 “然後，編輯委員會（我本人和其他一些人）將決定這些角色中的哪個最適合整體專營權。”

“AI, Web3, blockchain — none of this stuff is going away, right? The whole world’s becoming tokenized,” said the filmmaker. “So, for my sake, I just thought this is something I need to learn about and get involved in.”

電影製片人說：“ AI，Web3，區塊鏈 - 這些東西都沒有消失，對嗎？全世界正在成為標記。” “因此，為了我的緣故，我只是認為這是我需要學習並參與其中的東西。”

While both AI and blockchain have sparked concerns about job losses and the commodification of creative labor,Goyer expressed his hope to see the technology used in ways that empower artists.

儘管AI和區塊鏈都引起了人們對失業和創造性勞動商品化的擔憂，但Goyer表示希望看到以增強藝術家能力的方式使用的技術。

“It’s really about deciding whether I’m going to stick my head in the sand, or I’m going to have a seat at the table and see, in my own small way, whether or not I can help guide this in a way that’s beneficial to creative types like myself.”

“這實際上是在決定我是否要盯著沙子，還是要在桌子上坐下來，以自己的小型方式看，無論我是否可以幫助我以對像我這樣的創意類型有益的方式進行指導。”