大卫·戈耶（David Goyer）正在建立一个新的基于区块链的科幻宇宙，称为“出现”

电影制片人戴维·戈耶（David Goyer）的荣誉包括《刀片三部曲》，《黑暗骑士》和《苹果电视台的基础》系列，他说，他正在建立一个新的基于区块链的科幻宇宙，称为“出现”。

David Goyer, known for the Blade trilogy, The Dark Knight and Apple TV’s Foundation series, is building a new science-fiction universe called Emergence. It will be powered by blockchain and feature spaceships, relic-hunting and white holes.

大卫·戈耶（David Goyer）以《刀片三部曲》（The Blade Trilogy），《黑暗骑士》（Dark Knight）和苹果电视台（Apple TV）的基础系列而闻名，他正在建立一个名为“出现”的新科幻世界。它将由区块链和特色太空飞船，遗物狩猎和白洞提供动力。

The world of Emergence will form the basis for a sprawling transmedia project housed within Incention, Goyer’s new blockchain venture.

出现的世界将构成戈耶（Goyer）新的区块链风险投资中庞大的跨媒体项目的基础。

At CoinDesk’s Consensus conference in Toronto on Friday, Goyer appeared alongside SY Lee of Story Protocol, the intellectual property-focused blockchain upon which both Incention and Emergence are based.

在周五在多伦多举行的Coindesk共识会议上，Goyer与故事协议的Sy Lee一起出现，这是一个以知识产权为重点的区块链，这是理性和出现的基础。

There, Goyer described his vision for Incention, which will see fans collaborate with professional storytellers to expand the Emergence universe.

戈耶（Goyer）在那里描述了他的诉讼愿景，这将使粉丝与专业讲故事的人合作扩大了出现宇宙。

“The idea is that we’re going to be involving the community in all of this, and they’ll have an opportunity to create characters who will be joining the podcast, joining the animation, etc.,” he said.

他说：“我们的想法是，我们将参与所有这一切，他们将有机会创建角色，这些角色将加入播客，加入动画等。”

Goyer expressed his criticism of Hollywood’s approach to IP-building, deeming it “very top down” and slow to adapt.

戈耶（Goyer）对好莱坞的IP构建方法表示了批评，认为它“非常自上而下”并缓慢适应。

“Franchises are built in the film and television industry [on] models that are a century old,” he said. “It’s very hard to innovate. It’s very hard to break into Hollywood if you’re a newcomer.” Web3, he feels, could be the key to change.

他说：“特许经营是在电影和电视行业（在一个世纪历史的模型上）建立的。” “很难创新。如果您是新来者，很难闯入好莱坞。”他认为，Web3可能是改变的关键。

Story Protocol, launched earlier this year, has secured over $80 million in funding from investors like a16z, Hashed and Endeavor. The protocol provides the technology for registering, tracking and monetizing intellectual property on the blockchain.

今年早些时候启动的故事协议已从A16Z，Hashed和Endeavor等投资者那里获得了超过8000万美元的资金。该协议提供了在区块链上注册，跟踪和货币化知识产权的技术。

“Each intellectual property has its own program, licensing and royalty-sharing rights,” Lee explained at Consensus. “Without any middleman, someone can remix, license, and basically build upon someone else’s IP. According to the rules set by the IP owner … they could share the upside together.”

“每个知识产权都有自己的计划，许可和特许权使用权，”李在共识中解释说。 “没有任何中间商，有人可以在其他人的IP上进行混音，许可，并基本上建立在其他人的IP上。

Goyer shared that he penned a 2,500-page story bible to serve as the foundation for the Emergence universe.

戈耶（Goyer）分享说，他写了一本长达2500页的故事圣经，以作为出现宇宙的基础。

“We hired a bunch of really talented concept artists that had worked on the Harry Potter and Star Wars franchises, and a number of Hugo and Nebula Award-winning science fiction authors to write stories within the universe using the bible that I created.”

“我们雇用了一群真正有才华的概念艺术家，这些艺术家曾在《哈利·波特》和《星球大战》系列上工作，并使用我创造的圣经在宇宙中写故事。”

This material was further used to train an AI agent, dubbed “Atlas,” which will assist contributors in co-creating within a pre-defined narrative framework.

该材料进一步用于训练称为“ Atlas”的AI代理，该代理将有助于贡献者在预定义的叙事框架内共同创建。

“This is what I would say is sort of a sanctioned use of AI, where we’re not just scraping information,” said Goyer.

Goyer说：“这就是我要说的是对AI的批准使用，我们不仅仅是在刮擦信息。”

Those who visit the Emergence platform will be able to read about its characters and settings, or contribute their own. Community members will then vote on the stories and visuals they enjoy. An editorial board, chaired by Goyer, will decide which submissions become part of the official canon.

那些访问出现平台的人将能够阅读有关其角色和设置的信息，或者自己的贡献。然后，社区成员将对他们喜欢的故事和视觉效果进行投票。由戈耶（Goyer）主持的编辑委员会将决定哪些意见成为正式佳能的一部分。

“We’ll let our community up-vote the characters that the community themselves have created,” saidGoyer. “Then the editorial board — which is myself and a few other people — will decide which of these characters best suits the overall franchise.”

“我们将让我们的社区投下社区本身创造的角色，” Goyer说。 “然后，编辑委员会（我本人和其他一些人）将决定这些角色中的哪个最适合整体专营权。”

“AI, Web3, blockchain — none of this stuff is going away, right? The whole world’s becoming tokenized,” said the filmmaker. “So, for my sake, I just thought this is something I need to learn about and get involved in.”

电影制片人说：“ AI，Web3，区块链 - 这些东西都没有消失，对吗？全世界正在成为标记。” “因此，为了我的缘故，我只是认为这是我需要学习并参与其中的东西。”

While both AI and blockchain have sparked concerns about job losses and the commodification of creative labor,Goyer expressed his hope to see the technology used in ways that empower artists.

尽管AI和区块链都引起了人们对失业和创造性劳动商品化的担忧，但Goyer表示希望看到以增强艺术家能力的方式使用的技术。

“It’s really about deciding whether I’m going to stick my head in the sand, or I’m going to have a seat at the table and see, in my own small way, whether or not I can help guide this in a way that’s beneficial to creative types like myself.”

“这实际上是在决定我是否要盯着沙子，还是要在桌子上坐下来，以自己的小型方式看，无论我是否可以帮助我以对像我这样的创意类型有益的方式进行指导。”