當巴特·辛普森（Bart Simpson）瘋狂地塗抹時“我不會在課堂上產生加密貨幣”

當巴特·辛普森（Bart Simpson）瘋狂地劃定“我不會在課堂上產生加密貨幣”在2013年的無限黑板智慧中

Bart Simpson frantically scribbling "I will not generate cryptocurrency in class" on the blackboard in 2013 was a blink-and-you-miss-it moment for the very few in the endlessly prescient world of The Simpsons. Fast forward to today, and Bitcoin isn’t just a punchline; it’s popping up everywhere, from gritty crime thrillers where digital wallets hold the keys to illicit fortunes, to dramas where crypto fortunes fuel extravagant lifestyles.

巴特·辛普森（Bart Simpson）在2013年在黑板上瘋狂地亂扔“我不會在班級上產生加密貨幣”，這是辛普森一家無休止的先例世界中很少的眨眼與您無誤的時刻。快進到今天，比特幣不僅是一項重點。它到處都是彈出的，從數字錢包藏有非法命運的鑰匙到加密貨幣的戲劇中，加密貨幣富裕的生活方式。

This wild ride from niche tech-speak to primetime plot point mirrors Bitcoin’s own improbable journey into the cultural consciousness. As we glance at how Hollywood’s crystal ball (and sometimes, its funhouse mirror) has portrayed the bizarre and captivating ascent of Bitcoin in the reel world.

從利基技術說話到黃金時段情節的這種狂野騎行反映了比特幣自己不可能進入文化意識的旅程。當我們瞥了一眼好萊塢的水晶球（有時，其餐廳鏡子）如何描繪了捲軸世界中比特幣的奇異而迷人的上升。

Early Days (2010–2015): Bitcoin on the Fringes of the Broadcast Waves

早期（2010- 2015年）：廣播浪潮邊緣的比特幣

Back when Bitcoin was still more of a whispered legend in the digital underground than a household name, its early cameos on screen painted a picture of something shady. Take The Good Wife in 2012 with its Bitcoin for Dummies episode. They tried to demystify this weird new internet money, even alluding to the elusive Satoshi Nakamoto. But even then, there was this lingering vibe of it being something out there, a techie toy with questionable rep.

回到比特幣在數字地下而不是家喻戶曉的名字中更像是一個低語的傳奇時，屏幕上的早期客串畫了一幅陰暗的圖片。在2012年帶上夫人的夫妻劇集。他們試圖揭開這筆奇怪的新互聯網錢的神秘信息，甚至暗示了難以捉摸的中田nakamoto。但是即使到那時，它仍然存在著一種揮之不去的氛圍，這是一個具有可疑代表的技術玩具。

Then came the crime dramas, and suddenly, Bitcoin was the go-to for digital dirtbags. Think CSI, Almost Human, Person of Interest — Bitcoin always seemed to pop up when hackers were moving illicit funds or some dark web deal was going down. Even The Simpsons’ cheeky nod with Bart’s crypto-mining punishment, while funny, still positioned it as something you shouldn’t be doing. This wasn’t entirely out of left field, though. Real-world headlines were all about the Silk Road and the FBI busting up digital drug empires, so naturally, Hollywood latched onto that narrative.

然後是犯罪戲劇，突然間，比特幣是數字垃圾的首選。認為CSI，幾乎是人類，感興趣的人 - 當黑客轉移非法資金或一些黑暗的網絡交易正在下降時，比特幣似乎總是彈出。即使是辛普森一家厚臉皮的厚臉皮點頭，雖然很有趣，但仍然將其定位為您不應該做的事情。不過，這並不完全遠離左場。現實世界中的頭條新聞是絲綢之路，聯邦調查局（FBI）摧毀了數字毒品帝國，所以自然而然地，好萊塢鎖在那個敘述上。

Movies were a bit slower on the uptake, but 2015’s Dope threw Bitcoin into the cinematic spotlight as the currency fueling online drug sales. So, what’s the takeaway? Early on, if you saw Bitcoin on screen, chances are someone was doing something you probably shouldn’t. It was the digital dollar bill with a shadowy aura, reflecting a world still trying to wrap its head around this bizarre, borderless currency when the underground circles already did.

電影的吸收速度較慢，但​​是隨著貨幣燃料在線藥物銷售，2015年的塗料將比特幣投入了電影範圍。那麼，收穫是什麼？早期，如果您在屏幕上看到比特幣，那麼可能有人在做您可能不應該做的事情。這是一個帶有陰暗的光環的數字美元賬單，反映了一個世界仍在試圖在地下圈子已經做到的奇異，無邊界貨幣周圍的世界。

The Mainstream Breakout (2016–2020): More Than Just Geek Speak

主流突破（2016-2020）：不僅僅是極客說話

2017 was a wild year for Bitcoin. Suddenly, everyone from your tech-savvy cousin to your slightly bewildered uncle was talking about it. And Hollywood was listening. The previously obscure digital dough started popping up in places you wouldn’t really expect.

2017年對於比特幣來說是狂野的一年。突然，從您精通技術的堂兄到您有點困惑的叔叔的每個人都在談論它。好萊塢正在聽。以前晦澀的數字麵團開始在您不會真正期望的地方彈出。

Take HBO’s Silicon Valley, for instance. For once, Bitcoin wasn’t just a throwaway gag; it fueled entire storylines, with the Pied Piper crew diving into the chaotic world of mining and crypto fortunes. It was a signal: Bitcoin had officially elbowed its way into the mainstream conversation, no longer confined to the dark corners of the digital underground.

以HBO的矽谷為例。一次，比特幣不僅僅是一個丟掉的插科打。它推動了整個故事情節，而派珀（Pied Piper）的船員跳入了混亂的採礦和加密貨幣命運世界。這是一個信號：比特幣已正式將其彎曲到主流對話中，不再局限於數字地下的黑暗角落。

Then came the heavy hitters. Billions, with its sharp, finance-bro swagger, had Bobby Axelrod himself sniffing around crypto investments, instantly lending a certain Wall Street legitimacy to the once-shady asset. Shows like Mr. Robot and StartUp went even deeper, weaving intricate narratives around the very fabric of digital currencies, showcasing their potential to disrupt and redefine everything. It wasn’t just about quick cash anymore; it was about the tech and the ideology.

然後是沉重的擊球手。數十億美元，憑藉其敏銳的金融宣傳，鮑比·阿克塞爾羅德（Bobby Axelrod）本人在加密貨幣投資中嗅探，立即將某種華爾街的合法性借給了曾經是短暫的資產。像Robot和Startup先生這樣的節目更加深入，在數字貨幣的結構上編織了複雜的敘述，展示了它們破壞和重新定義一切的潛力。不再只是快速現金；這是關於技術和意識形態的。

Even the silver screen got in on the action. The thriller Nerve dangled Bitcoin as a high-stakes prize in its dangerous online game, while the indie flick Crypto, with Kurt Russell lending his gravitas, put Bitcoin and blockchain at the center of a murky money-laundering scheme. Love it or hate it, the crime link lingered, but there was a newfound understanding of the underlying tech, a nod to its legitimate uses beyond the shadows.

甚至銀幕也進入了動作。驚悚片神經在其危險的在線遊戲中懸掛了比特幣，作為高風險的獎項，而獨立的Flick Crypto（Kurt Russell都將他的引力貸款，將比特幣和區塊鏈放在模糊的洗錢計劃的中心。愛它或討厭它，犯罪鏈接徘徊，但是對基本技術有了新的了解，這是對陰影以外的合法用途的點頭。

But perhaps the real sign that Bitcoin had truly broken the mold? When the bastion of mainstream comedy The Big Bang Theory dedicated an entire episode to the gang’s frantic hunt for a long-lost Bitcoin stash. It landed because it finally felt relatable. Who hadn’t heard a story about someone kicking themselves for not jumping on the crypto bandwagon early?

但是，也許比特幣真正打破了模具的真正跡象？當主流喜劇的堡壘時，大爆炸理論將整個情節獻給了該團伙的瘋狂狩獵，以捕捉一個久違的比特幣藏匿處。它降落是因為它終於感覺到了相關。誰沒有聽到一個關於有人不早點跳上加密潮流而踢自己的故事？

These weren’t just tech stories anymore; they were human stories, wrapped in the bizarre and fascinating world of digital gold. Bitcoin had officially become part of the cultural lexicon, a source of both fascination and, maybe, a little bit of FOMO.

這些不僅僅是技術故事；它們是人類的故事，包裹在數字黃金的奇異而有趣的世界中。比特幣正式成為文化詞典的一部分，既是迷戀的來源，也許是FOMO的一點點。

Finally having grown past the hushed whispers of the dark web, Bitcoin in the ‘20s media is demanding screen time in ways we couldn’t have imagined. The 2021 documentary Trust No One: The Hunt for the Crypto King wasn’t some fringe deep-dive; it was a Netflix feature, treating crypto with

終於超越了黑暗網絡的靜靜耳語，比特幣在20年代的媒體中要求以我們無法想像的方式進行屏幕時間。 2021年的紀錄片信託沒有人：追捕加密貨幣之王並不是一些邊緣的深度。這是一個Netflix功能，用