喬羅根不是加密貨幣粉絲

喬·羅根的播客《喬·羅根體驗》(JRE) 仍然是最受歡迎和最有影響力的節目之一，其中的劇集非常出色

Renowned podcaster Joe Rogan recently shared his thoughts on Bitcoin and NFTs during an episode of The Joe Rogan Experience (JRE) with conservationist Paul Rosolie, sparking reactions from the crypto community.

著名播客 Joe Rogan 最近在 The Joe Rogan Experience (JRE) 節目中與自然資源保護主義者 Paul Rosolie 分享了他對比特幣和 NFT 的看法，引發了加密社區的反應。

Rogan and Rosolie began discussing meaningful work and money, expressing their skepticism about Bitcoin and NFTs as legitimate investments. They questioned the logic of spending "real money" on what they perceived as "weird f*cking imaginary money."

Rogan 和 Rosolie 開始討論有意義的工作和金錢，表達了他們對比特幣和 NFT 作為合法投資的懷疑。他們質疑將「真錢」花在他們認為的「奇怪的假想錢」上的邏輯。

The conversation shifted to NFTs, highlighting the 2021 boom sparked by Beeple's $69 million NFT sale that propelled NFTs into the mainstream. However, they also noted the market crash following the initial frenzy.

話題轉向 NFT，強調了 2021 年 Beeple 6900 萬美元的 NFT 銷售引發的繁榮，推動 NFT 成為主流。然而，他們也注意到在最初的瘋狂之後市場崩潰了。

Rogan further disclosed turning down crypto and NFT endorsement deals, stating, "I don’t even know what it is."

Rogan 進一步透露拒絕了加密貨幣和 NFT 背書交易，並表示，“我什至不知道它是什麼。”

He also expressed his disdain for Bored Apes, dismissing them as "a sh*t cartoon." Rogan argued with his producer, Jamie Vernon, about the intrinsic value of physical art compared to digital art, which can be easily screenshotted.

他也表達了對《無聊猿》的蔑視，稱它們為「一部狗屎卡通」。羅根與他的製作人傑米·弗農（Jamie Vernon）爭論了物理藝術與數位藝術相比的內在價值，數位藝術可以輕鬆截圖。

Highlighting this point, Rogan stated that the original Mona Lisa is more valuable than an image of it.

羅根強調了這一點，表示《蒙娜麗莎》原作比它的圖像更有價值。

Several digital asset advocates quickly responded to Rogan and Rosolie's statements, aiming to clarify their misconceptions.

幾位數位資產倡導者迅速回應了 Rogan 和 Rosolie 的聲明，旨在澄清他們的誤解。

YouTube channel Altcoin Daily countered their argument by explaining the significance of digital ownership, using Bitcoin as an example. They pointed out that while anyone can screenshot a public Bitcoin address, it doesn't grant them ownership of the Bitcoin associated with that address.

YouTube 頻道 Altcoin Daily 以比特幣為例解釋數位所有權的重要性來反駁他們的論點。他們指出，雖然任何人都可以截取公共比特幣地址，但這並不能授予他們與該地址相關的比特幣的所有權。

Altcoin Daily also argued that Rogan's perspective missed a crucial point, stating, "What Bitcoin did for money, NFTs are doing for identity and community as younger generations embrace digitalization.”

《山寨幣日報》還認為，Rogan 的觀點忽略了一個關鍵點，他指出：“隨著年輕一代擁抱數位化，NFT 正在為身份和社區做貢獻，就像比特幣為貨幣所做的那樣。”

Steve Kaczynski, coauthor of The Everything Token, agreed with Rogan's criticism of the NFT bubble but added that NFTs extend beyond artwork, serving practical purposes in ticketing, gaming, loyalty programs, combating AI fakes, and establishing proof of ownership.

《The Everything Token》的合著者Steve Kaczynski 同意Rogan 對NFT 泡沫的批評，但他補充說，NFT 超越了藝術品，在票務、遊戲、忠誠度計劃、打擊人工智能假貨和建立所有權證明方面具有實際用途。

Despite these efforts, global weekly NFT sales from September 30 to October 6 totaled $84.7 million, showing a steep 96% decline from the August 2021 high, indicating a significant cooling of the NFT hype with little sign of recovery.

儘管做出了這些努力，9 月30 日至10 月6 日期間全球NFT 每週銷售額總計8,470 萬美元，較2021 年8 月高點急劇下降96%，這表明NFT 炒作已顯著降溫，且幾乎沒有復甦的跡象。