代碼中的組成：處理的藝術和P5.js

Marius Watz＆AleksandraJovanić，Lia＆Sarah Ridgley以及Robert Hodgin和Melissa Wiederrecht的Diptychs。

Museum of the Moving Image has announced the final installation series in partnership with the Tezos Foundation, titled Compositions in Code: The Art of Processing and p5.js. The media art installations will be presented from March 6 through August 24 on MoMI's Herbert S. Schlosser Media Wall.

運動圖像博物館已與Tezos Foundation合作宣布了最終的安裝系列，標題為“代碼：加工藝術和P5.J.”。媒體藝術設施將於3月6日至8月24日在莫米的赫伯特·S·施洛瑟媒體牆上介紹。

The featured artists in Compositions in Code all utilized the accessible, open-source programming environment Processing or the p5.js library as tools in the creation of their work. Each artist will make a fragment of the exhibited work available for the public to collect for free onsite and online via the Tezos blockchain.

代碼構成的特色藝術家都利用了可訪問的開源編程環境處理或P5.JS庫作為創建工作的工具。每位藝術家都將使展覽作品的片段供公眾免費收集，並通過Tezos區塊鏈在線收集。

Processing has played a pivotal role in shaping the public perception of code as a visual art form. Launched in 2001 by Casey Reas and Ben Fry, this artist-friendly, open-source programming environment made creating art with code less intimidating. Offering a simplified, sketchbook-like environment that provides immediate visual feedback, Processing remains influential 25 years later.

處理在塑造公眾對代碼作為視覺藝術形式的看法方面發揮了關鍵作用。這款藝術家友好的開源節目環境由Casey Reas和Ben Fry於2001年推出，使創造藝術的代碼較少嚇人。提供一個簡化的類似素描本的環境，可立即提供視覺反饋，處理25年後仍具有影響力。

More recently, the p5.js library, created by Lauren Lee McCarthy, has adapted these core ideas to JavaScript, which has become a popular medium for outputs meant to be shared online.

最近，由勞倫·李·麥卡錫（Lauren Lee McCarthy）創建的P5.JS庫將這些核心想法改編為JavaScript，該核心想法已成為旨在在線共享的輸出的流行媒介。

Presented as a series of diptychs, Compositions in Code pairs three Processing early adopters—Marius Watz, LIA, and Robert Hodgin—with artists working regularly with p5.js: Aleksandra Jovanić, Sarah Ridgley, and Melissa Wiederrecht. Early adopters and their p5.js counterparts were involved in the curatorial process for each diptych. The exhibition is organized by MoMI’s Associate Curator of Media Arts, Regina Harsanyi.

代碼配對的一系列二鍵構成，包括與P5.JS合作的藝術家：AleksandraJovanić，Sarah Ridgley和Melissa Wiederrecht。早期採用者及其P5.js對應物參與了每個雙ty的策展過程。該展覽是由Momi的媒體藝術副策展人Regina Harsanyi組織的。

The Tezos blockchain hosts many of the most renowned artists working with Processing and p5.js including all the artists participating in Compositions in Code. Popular platforms on Tezos, such as fxhash, objkt, and EditArt, all enable and support the proliferation of code-based art for thousands of creators worldwide.

Tezos區塊鏈擁有許多最著名的藝術家，其中包括所有參與代碼作曲的藝術家，包括所有藝術家。 FXHASH，OBJKT和EDITART等TEZOS上的流行平台都可以為全球數千個創作者提供基於代碼的藝術的擴散。

On Thursday, March 6, at 7:00 p.m. MoMI, the Tezos Foundation, and the Processing Foundation will co-host an opening reception for Compositions in Code featuring a discussion with the artist Marius Watz; Aleksandra Artamonovskaja, Head of Arts at Trilitech, Tezos Ecosystem; and Roopa Vasudevan, a mentor from the Processing Foundation; moderated by Harsanyi.

3月6日，星期四，莫米（Momi），Tezos基金會和加工基金會（Tezos Foundation）和加工基金會（Processing Foundation）將共同主持與藝術家Marius Watz討論的代碼中的開幕式招待會； Tezos生態系統Trilitech的藝術主管Aleksandra Artamonovskaja；以及加工基金會的導師Roopa Vasudevan；由Harsanyi主持。

Processing and p5.js’s impact extends well beyond its technical merits, reshaping how code can be viewed as a tool for creating art. By lowering barriers to access, Processing has empowered multiple generations of artists to explore generative, interactive, and algorithmic practices. This shift has redefined not only artistic production but also art education. In parallel, p5.js combines Processing’s experimental spirit with the broad reach of the internet without requiring additional browser plug-ins. Together, these tools have become essential reference points in contemporary art discourse, while aiding teachers, researchers, and students in understanding the creative potential of code.

處理和P5.JS的影響遠遠超出了其技術優點，重塑瞭如何將代碼視為創建藝術的工具。通過降低訪問的障礙，加工賦予了多代藝術家的能力，以探索生成，互動和算法實踐。這種轉變不僅重新定義了藝術作品，還重新定義了藝術教育。同時，P5.js將處理的實驗精神與互聯網的廣泛範圍結合在一起，而無需額外的瀏覽器插件。這些工具共同成為當代藝術論述中的重要參考點，同時幫助老師，研究人員和學生了解代碼的創造潛力。

Compositions in Code: The Art of Processing and p5.js is the fourth series of media art installations for MoMI’s Schlosser Media Wall presented in partnership with the Tezos Foundation. Additional support for Compositions in Code is provided by the Processing Foundation.

代碼中的作品：處理和P5.JS的藝術是與Tezos Foundation合作提出的MOMI Schlosser Media Wall的第四系列媒體藝術裝置。加工基金會提供了代碼中對代碼中的構圖的額外支持。