罗莎莉·坎宁安（Rosalie Cunningham）：“我可以做任何我喜欢的事情 - 这是我的专辑

罗莎莉·坎宁安（Rosalie Cunningham）的心理第三张个人专辑《另一天拍摄》提醒着她如此特别的原因。她告诉Prog关于DIY录音的乐趣，对邦德配乐的热情以及今天发布唱片的反高潮

Rosalie Cunningham has released three solo albums to date, following her departure from Purson in 2017. Her latest, To Shoot Another Day, is her most diverse and expansive work yet.

罗莎莉·坎宁安（Rosalie Cunningham）于2017年离开普尔森（Purson）后，迄今为止发行了三张个人专辑。她的最新作品是她最多样化，最广泛的作品。

The album title is a reference to Cunningham’s outlook on making the record. “It’s me talking about the process of making an album, but through the lens of making a film, where I can be anything in my own screenplay," she says.

专辑标题是指坎宁安创作唱片的前景。她说：“是我在谈论制作专辑的过程，但是通过制作电影的角度，我可以在自己的剧本中成为任何东西。”

"That’s the way I wanted to open my album. The verses, which are like script notes, describe the scene, and essentially say, ‘This is my work, and I can do what I want.’”

“这就是我想打开专辑的方式。就像脚本注释一样，这些经文描述了场景，从本质上说，'这是我的作品，我可以做我想做的事。'”

Cunningham recorded and mixed To Shoot Another Day entirely at her home studio in Southend-on-Sea. “There were incredibly extensive, long days," she says.

坎宁安（Cunningham）录制并混合在一起，完全在她位于山海森德（Southend-on-Sea）的家庭工作室中拍摄了另一天。她说：“漫长的日子非常漫长。”

"I get into a hyper-focus at night; I kind of forget to drink water or go to the toilet and just go deep. It’s a blessing and a curse having a home studio, because there’s no clock to tell you to stop.”

“我晚上陷入了一个超聚焦的焦点；我有点忘记喝水或去厕所深处。这是一种祝福和诅咒，有一个家庭工作室，因为没有时钟可以告诉你停下来。”

The album features a wide range of musical styles, from psychedelic prog to lounge jazz, fuzzy psych metal and poppier melodies. Cunningham says the diversity is a natural progression for her as an artist.

这张专辑具有各种音乐风格，从迷幻的演奏到休闲爵士乐，模糊的心理金属和弹出式旋律。坎宁安说，多样性对她作为艺术家来说是一个自然的进步。

“It’s just a progression of me as an artist," she says. "It’s more to do with exploring genres that I was too scared to indulge in. Maybe I thought they were too predictable or too cheesy – now I’ve let go. Now there’s some really pop elements there, and there’s some bluesy elements, is definitely my partner’s influence.”

她说：“这只是我作为一名艺术家的进步。这与探索类型有关，我太害怕沉迷于。也许我以为他们太可预测或太俗气了 - 现在我放手了。现在那里有一些真正的流行元素，并且有一些蓝调元素绝对是我伴侣的影响力。”

Cunningham's partner, Roscoe Wilson, co-wrote some of the songs on the album and also helped to shape its direction thematically. The couple share a love for James Bond soundtracks, which had a strong influence on the record.

坎宁安（Cunningham）的合伙人罗斯科·威尔逊（Roscoe Wilson）共同撰写了专辑中的一些歌曲，还帮助主题塑造了它的方向。这对夫妇对詹姆斯·邦德的配乐有了热爱，这对唱片有很大的影响。

“It’s just a genre of music that’s always seduced me," Cunningham says. "I find the whole vibe fascinating, so I’ve had a very natural inclination for it. I’m dramatic with my own music, so it kind of fits.”

坎宁安说：“这只是一种音乐流派，总是吸引我。我发现整个氛围都引人入胜，所以我对此有着非常自然的倾向。我对自己的音乐很戏剧性，所以很合适。”

Despite the strong espionage influence, Cunningham refutes the idea of To Shoot Another Day being a concept album. “It is bookended by two songs that share a theme, similar to the tried-and-tested trope of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band album, where it only has a slightly developed theme.”

尽管有强烈的间谍活动影响，但坎宁安驳斥了将另一天拍摄为概念专辑的想法。 “这是由两首共有主题的歌曲预订的，类似于甲壳虫乐队的中士的经过测试和测试。 Pepper的Lonely Hearts Club乐队专辑，其中只有一个略有发展的主题。”

As well as drawing from the shadowy and seductive world of Bond, To Shoot Another Day finds colour in observing the ordinary moments of the everyday. Timothy Martin’s Conditioning School – named after the founder and chairman of the Wetherspoons pub chain – is set in the mundane and commonplace scenario of teens getting drunk on the weekend; but it’s developed into something shrewd and impishly psychedelic.

除了从阴暗和诱人的邦德世界中汲取灵感，还可以在观察日常时刻的普通时刻找到颜色。蒂莫西·马丁（Timothy Martin）的调理学校（以Wetherspoons Pub连锁店的创始人和董事长的名字命名）是在周末醉酒的平凡而普遍的场景中。但这已经发展成为精明而又不可思议的迷幻之处。

“I was looking around Wetherspoons in Southend on a Friday night, and it was just teenagers drinking sweet alcohol buckets, like WKD, using just one straw, and getting absolutely plastered," Cunningham says.

坎宁安说：“我在一个星期五晚上在绍森德（Southend）的韦瑟斯彭（Wetherspoons）环顾四周，而那是少年在喝甜的酒桶（例如WKD），只用一根稻草，绝对被抹灰。”

"It’s just hilarious that that’s allowed! As soon as you’re 18 you can go and do that, and they just actively encourage it. Not that I’m judging, of course – I was that 18-year-old too!”

“这很有趣，这是允许的！一旦您18岁，您就可以去做，他们只是积极鼓励它。不是我在评判，当然 - 我也是那个18岁的年轻人！”

More playfulness can be found in the instrumental The Smut Peddler, a wink to the nickname she gave Roscoe. “He can be quite smutty!” she laughs. “That was just an instrumental riff that I had hanging around on guitar.”

可以在“ Smut The Smut Peddler”中找到更多的娱乐性，这是她给Roscoe的昵称的眨眼。 “他可能很肮脏！”她笑了。 “那只是我在吉他上闲逛的乐器即兴演奏。”

Elsewhere, Spook Racket unravels the fantastical and mystical side of showmanship. “It’s a term I picked up in one of my favourite books, Nightmare Alley [by William Lindsay Gresham].

在其他地方，Spook Stanget揭开了表演技巧的梦幻和神秘的一面。 “这是我在我最喜欢的一本书之一，《噩梦巷》（William Lindsay Gresham）中捡到的。

“It’s about the conning mediums who used to go around in the early 20th century. I translated the term to a live band, exploring the magic of it. I was just thinking about how someone from that time, if they saw a rock show now, they’d think it was magic. They’d wonder how the hell it was being done. Like, where are the wires and pulleys?”

“这是关于20世纪初期曾经四处走动的骗子。我将这个词翻译成现场乐队，探索了它的魔力。我只是在思考那个时候的某人，如果他们现在看摇滚表演，他们会认为这是魔术。他们想知道这是怎么做的。就像，电线和滑轮在哪里？”

No such illusionary devices are required for Cunningham’s live performances; just the talent of her own band. “They’re all great musicians – virtuosos in their own right," she says.

坎宁安的现场表演不需要这种幻觉设备；只是她自己的乐队的才华。她说：“他们都是伟大的音乐家 - 本身的演奏家。”

"Live, there are always a lot of extended improvisational bits, which I think this album definitely has room for, with all the new blues and jazz elements. Also, we’re a more bombastic rock show live than I ever have been on record, so it’ll be more energetic than before.”

“直播，总是有很多扩展的即兴碎片，我认为这张专辑肯定有空间的空间，还有所有新的蓝调和爵士元素。而且，我们是一个比我以前在唱片中更具轰动性的摇滚表演。 ，因此它将比以前更具活力。”

Despite having been part of the prog scene for more than a decade, Rosalie Cunningham still exists very much in her own space; no one does

尽管罗莎莉·坎宁安（Rosalie Cunningham）在自己的空间中仍然存在很多十多年的舞台。没有人